Marlie Centawer

Artist, Photographer, and Writer in the United Kingdom

Marlie Centawer

Artist, Photographer, and Writer in the United Kingdom

Read my articles

Selected Publications:

Book Review: Rosemary Lucy Hill, “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music,” IASPM@Journal, 8/1 (2018).

Book Review: The Subcultures Network, "Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976," Punk and Post-Punk Journal, 7.3 (2018).

"A Toast To Ti-Jean In a Liverpool Gloom Saloon" Empty Mirror - Literature, Art, and Beat Generation Magazine, 4 May 2018.

Book Review: Michael Brocken, 'The Twenty-First Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism', Popular Music History, Equinox, December 2017.

"Rock and Roll Kinderwhore - Gender, Genre, and “Girlville” in Liz Phair/Girly Sound," Rock Music Studies, Taylor & Francis, Volume 4, 2017.

“Subterranean Boy,” Empty Mirror - Literature, Art, and Beat Generation Magazine, 27 January 2017.

“‘My Name is Called Disturbance’: Jagger, Performance, and the Spectacle of Excess,” The Rolling Stones: Sociological Perspectives, Lexington Books, 2013.

Selected Conferences/ Papers Presented:

"Sugar Babydoll: Courtney Love on the road, a Liverpool trip (1981-82)," Theorising the Popular Conference, in association with the Popular Culture Research Group, Liverpool Hope University, Liverpool, UK, 11-12 July 2018.

"Rituals of Rebellion: Theorizing The Beatles, Girl Culture, and (Anti) Heritage Popular Music Tourism" Keep It Simple Make it Fast:Gender, differences, identities and DIY cultures, Porto, Portugal, 4-7 July 2018.

Guest Lecture, “There’s a Place: The Beatles, Graffiti, and Visual Culture,” invited by Dr. Helmut Staubmann, Dean, School of Political Science and Sociology, in association with the Department of Sociology and Musicology, The University of Innsbruck, Innsbruck, Austria, 14 June 2016.

“‘The Camera Gets a Studdered Shot’”: Liz Phair and Wicker Park’s Rainbo Club” 5th International & Interdisciplinary Conference on Emotional Geographies, University of Edinburgh, Scotland, UK, 10-12 June 2015.

“This is Another Story About Love, What a Surprise: Liz Phair, Girlysound, and the Rock Love Song,” Straight from the Heart: A Conference on Love and Rock Music, Université Paul-Valéry, Montpellier, France, 16-17 April, 2014.

“Performance (1970) and the spectacle of excess,” Re-Living Disaster: Film-History-Identity, University of London, Birkbeck College, London, United Kingdom, 29-30 April, 2010.