Adam Green - baritone, musical director, founder of Perfect Pitch Music - studied at St John’s College, Cambridge, the Royal Academy of Music, London, and the National Opera Studio. Winner of the Song Prize at the National Mozart Competition and the Great Elm Competition he was awarded the prestigious Ian Fleming and Sybil Tutton Awards.
Operatic roles at English National Opera include Belcore (The Elixir of Love), Arbace (Idomeneo), Aeneas (Dido and Aeneas). Other roles include the title role in The Barber of Seville for Welsh National Opera, Il Conte (Le Nozze di Figaro) at the Musique Cordiale Festival and Iford Festival, Aeneas (Dido and Aeneas) for Opera du Lille, the Grand Theatre d’Aix en Provence and Opera North, Don Giovanni at the Berbiguieres Festival, France, Rigoletto for Grange Park Rising Stars, First Mate (Billy Budd) with Daniel Harding and the LSO, Retrofire (Buzz on the Moon) by Jonathan Dove for BBC Channel 4, and Judge (Korngold’s Das Wunder der Heliane) with the LPO and Vladimir Jurowskii.
His concert experience is already extensive - Bach’s Weihnachtsoratorium in Frankfurt under Lutz Köhler, Brahms’ Requiem, Handel’s Messiah and Fauré’s Requiem at the Royal Albert Hall under Sir David Willcocks, Elgar’s Coronation Ode with the BBC Symphony Orchestra, Elijah in Budapest, Carmina Burana televised in Ely Cathedral, and Telemann’s Matthäus Passion at the Snape Maltings, Aldeburgh.
2013-14 plans include James Macmillan’s Clemency at the Royal Opera House, Tarquinius (Rape of Lucretia) at the Arcola Theatre, Rattus Rattus in John Barber’s We are Shadows at the Spitalfields Festival, a revival of Clemency for Scottish Opera, Ford in Falstaff at the Berbiguieres Festival, France, Escamillo in Carmen, Father in Hänsel und Gretel (cover) for Glyndebourne on Tour and a world premiere of the one man opera Gut by Pete Wyer performed at the Tete a Tete Festival in London.