I'm interested in how the light (sunlight}, atmosphere (water) affect the cyanotype process to highlight desired objects. My current project titled "Epmoon Studio" brings together the expressionistic painting of light sensitive fluid and the application of photographic compositions on paper.

I've always been attracted to the color blue and I’m moved by how the emulsive properties of cyanotypes can be manipulated to represent specific photographic moments in time where a certain phenomenology emerges. My goal is to bring attention these natural details, these artifacts, by capturing visceral moments, then reproducing them on paper and other mediums.