Cheng Guo

郭成，策展人、研究和写作者，《加密艺术年鉴》主编。郭成的研究和写作关注艺术发展趋势与经典艺术史的逻辑关系，特别是数字场景中的新文化现象。在他的策展实践中，围绕虚拟身份、数字资产等要素，展示全新的合作模式和社群关系。

郭成于2021年联合创办数字艺术品牌“数字化合物”，进行加密艺术的研究和创作，2021-2023年间，发布6期《加密艺术年鉴》，于中文社区推动“加密原生艺术”概念。由数字化合物出品的“加密艺术驱动器”入选2022第59届威尼斯双年展加密艺术专题展“卡美拉的时代”（The Time of Chimeras）。2013年，参加由中国美术馆专业委员会、中央美术学院、柏林自由大学联合主办的“文化管理在中国（KUMA）”。在艺术管理、媒体、艺术品金融等领域工作，具有全行业研究视角。

作为媒体人和写作者，他的文章在《China Daily》《中国文化报》《艺术中国》《TANC艺术新闻》《NYT中文集锦》《artnet》《Hi艺术》《艺术商业》《ELLEDECO》等媒体发布。

Guo Cheng is a curator, researcher, and writer, as well as the editor-in-chief of the “Yearbook of Crypto Art .” His research and writing focus on the relationship between the development trends of art and the logic of classical art history, especially new cultural phenomena in digital contexts. In his curatorial practice, he has explored new cooperation models and communities centered around elements such as virtual identities and digital assets.

From 2021 to 2023, Guo Cheng collaborated with the digital art brand “Digital Compound” to conduct research and creation in crypto art. During this period, he released six editions of the “Yearbook of Crypto Art,” promoting the concept of “crypto art” in the Chinese community. The “Crypto Art Drive,” produced by Digital Compounds, was equivalent to the crypto art special exhibition “The Time of Chimera” at the 59th Venice Biennale in 2022. In 2013, he participated in the “Cultural Management in China (KUMA)” event jointly organized by the Professional Committee of the National Art Museum of China, the Central Academy of Fine Arts, and the Free University of Berlin. Guo Cheng has worked in the fields of art management, media, and art finance, and he possesses a comprehensive industry research perspective.

As a media professional and writer, his articles have been published in media outlets such as China Daily, China Culture Daily, Art China, Art Newspaper, NYT Chinese Edition, artnet, Hi Art, Art Business, and ELLEDECO.