I work across music, live events, and production, operating in touring environments, studio settings, and live performance.

My experience includes time in studios such as Abbey Road Studios, Sarm Studios, and Brit Row, alongside Sensible Studios, Star Studios, The Joint, and John Henry’s, giving me a real world understanding of how music is created, developed, and delivered.

I’ve built and run my own company delivering production and technical services to artists, while also organising large scale live events and charity concerts supporting organisations including Cancer Research UK, Parkinson's UK, AMEND, and Ups and Downs South West.
Example: https://www.burnham-on-sea.com/news/fundraising-concert-28-11-11/

That work has been recognised for supporting artists and creative professionals:
https://smenews.digital/winners/the-jack-ward-company/

Across live events and touring, I’ve worked around artists including Tony Hadley, Big Country, and Steve Harley, as well as festival environments such as Rewind Festival and Greenwich Summer Sessions. I’ve also spent time around Spandau Ballet during reunion tours, gaining insight into large scale production.
Example: https://www.youtube.com/watch?v=yDky3Vy3yjk

My early experience includes stepping on stage during The Shadows Final Tour soundcheck and performing as an opening act, alongside recording work in London with Dylan Burns.

More recently, I’ve worked as a guitar tech for Jesse Wood, son of Rolling Stones guitarist Ronnie Wood, during Reef’s Ocean Festival headline performance, and with Cypress Hill bassist Christian Olde Wolbers at festivals across the UK, Czech Republic, and Belgium.

I’ve been around live touring environments from early on, exposed to artists such as Jimmy Page, Robert Plant, The Everly Brothers, and Louise Redknapp, which built a practical understanding of how these environments actually operate.

Alongside this, I bring a strong foundation in psychology, communication, and human behaviour, developed through my early diagnosis of autism and transition into mainstream education, shaping how I work with people, adapt quickly, and stay effective in high pressure environments.

I’m currently open to working on projects and opportunities across music, live events, and artist development.