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This is a very small, no fluff, plan of how you can write a horror program.

A horror movie has specific principles. Should you break a lot of the market is likely to be unhappy.

This is a very short, no fluff, blueprint of how-to create a horror software.

1. The Hook. Begin with a hammer. Step in to a suspense scene. (~~'~ Scream' opens with a terrifying sequence with Drew Barrymore on the phone with a monster)

2. The Defect. Add your hero. Give a defect to him. We should take care of him before you set your hero in danger. We ought to want our hero to achieve success. So make him human. (In 'Signs' Mel Gibson plays a priest who has lost his faith after his wife died)

3. Worries. A variant of The Flaw. The hero has a fear. Perhaps a dread of heights, or claustrophobia. (In 'Jaws' Roy Scheider has a concern with water. At the end he's to overcome his fear by venturing out onto the ocean to kill the shark)

4. No Escape. Where he can maybe not escape the terror have your hero at a remote place. (Like the hotel in 'The Shining ~'~~)

5. Foreplay. Tease the audience. Cause them to become jump at scenes that seem scary -- but turn out to be entirely normal. (Such as the cat jumping out of the cabinet) Give them some more foreplay before getting the real beast.

6. Evil Problems. Several times during the middle of-the program show how evil the monster could be -- as its victims are attacked by it.

7. Research. The hero investigates, and finds out the facts behind the fear.

8. Showdown. Should people want to learn additional info on laguna niguel plumbing and rooter pros, we know about heaps of resources you should think about investigating. The last conflict. The hero must face both his fear and the monster. The hero uses his head, rather than muscles, to outsmart the beast. (At the conclusion of 'The Village' the blind woman methods the monster to fall under the hole in the surface)

9. Aftermath. Everything's back to the way it was from the start -- but the hero has improved for the better or for the worse. (At the conclusion of 'Signs' Mel Gibson puts on his clerical collar again -- he got his faith back)

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