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Taking the lead protagonist role for a change instead of playing the villain (as in Gangster Squad) or a peripheral enigma (see The Secret Life of Walter Mitty or The Tree of Life), Sean Penn stars as a reformed hitman seeking redemption in the trite action film The Gunman. Taken's Pierre Morel may be in the director's chair but Penn has credits as both a co-screenwriter and producer, and ultimately this feels like a vanity project designed to do for Penn's bankability, Africa, Spain and mercenaries what the Taken franchise did for Liam Neeson, Paris and Albanian gangsters.

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Ripe, borderline hammy turns from Javier Bardem, Ray Winstone, Idris Elba and Mark Rylance add some spice and box-office appeal, but otherwise this is pretty boilerplate stuff that takes itself way too seriously. Ticket sales should be solid on the back of a vigorous marketing campaign, but Penn is unlikely to have the same appeal as Neeson for the target demographic.

The opening prologue, set in 2006, establishes the bona fides of Penn's character, Jim Terrier, as a tough guy with a soft spot for his idealistic doctor girlfriend, Annie (Jasmine Trinca). These two crazy mixed-up kids are living together in the Democratic Republic of Congo where he toils, by day, for a security task force protecting mining operations and, by night, as a mercenary hitman for shadowy interests. When his associate, Felix (Bardem), who has barely disguised hots for Annie, assigns Terrier to assassinate the DCR's minister of mining (Clive Curtis), Jim has no choice but to leave the country - and Annie - behind immediately.

The years and opening credits pass, and now in the present Jim has come back to Africa, this time to help the locals mine for themselves. And also, it seems, to surf, which affords the audience one of several opportunities to ogle Penn's gym-bunny abs. However, one day in the jungle, some heavies come loo